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les origines dmarche les oeuvres informations contact b ernard jean antonin boucheix artiste peintre, artiste lyrique, directeur de festival, crivain... l e peintre-baryton, bernard boucheix, est n au pied des volcans dauvergne chamalires le 25 octobre 1968. baignant depuis sa plus tendre enfance dans le milieu pictural, lartiste sest souvent demand la raison pour laquelle il a toujours dessin des chteaux imaginaires sur ses cahiers dcolier. c est ses origines et son inconscient quil faut remonter pour expliquer cette frnsie dessiner si jeune ces monuments issus du moyen age et de la renaissance (1) . n ul doute que sa ville natale, royat, y est aussi pour quelque chose. royat, source dinspiration. du fond de sa valle, il pouvait contempler dun ct, le puy de chateix avec son chteau du paradis et de lautre, le prieur fortifi saint lger, difi sur une coule de lave volcanique. tous deux bercrent son enfance de rves chevaleresques. lauvergne influena et grava tout jamais dans son inconscient ces paysages imaginaires, ces montagnes quil aime tant reprsenter et dont il simagine que la chane des puys est une vague venue schouer sur lle du sancy. c omme il le dit souvent, jemporte lauvergne en hritage . rien ny fait, cest une source inpuisable dinspiration. il faut avoir parcouru ces montagnes balayes par les vents pour comprendre cette atmosphre parfois glaciale que lartiste cherche exprimer dans ses uvres en crant volontairement un manque de couleur voire un vide. par souci de se protger, les manoirs sont souvent austres et toujours forms de murs pais retenus par des contreforts. a linverse, avec la renaissance, des chteaux trs lancs souvrent. de modestes glises romanes ou des cathdrales gothiques continuent dinspirer cet ancien enfant de chur, encore imprgn darchitecture religieuse. de pauvres villages se protgent, perdus travers des valles profondes o lon guettait lennemi. des toitures sont rehausses laide de fanions, dtendards ou de pointes qui culminent pour tirer la primaut des lieux. exprimer aussi, noblesse oblige, la supriorit de certains btiments. c es uvres trouvent galement linspiration tant dans lhistoire de la couronne de france que dans linfluence culturelle et cultuelle de la chrtient omniprsente en europe. monique kahn (1). boucheix est un nom dorigine gauloise, issu du peuple des arvernes. originaire de la basse-auvergne, les racines moyengeuses se situent trs prcisment au pied de la chane des puys. les toutes premires traces de ce nom nous sont rvles au 13e sicle sur lactuelle commune des ancizes-comps o, en 1219, la seigneurie du boucheix* qui ne comportait pas de fortification, cda une partie de ses terres pour la fondation de la chartreuse port sainte marie, en ruines de nos jours en 1292, le seigneur du boucheix se rserva le droit de prendre du bois, pro hominibus residentibus in villa de bosches la branche actuelle qui porte encore ce nom fut transmise par pierre boucheix (1779-1850) de saint pierre roche. les sicles ont pass mais les descendants actuels vivent toujours au pied des monts dauvergne. publication en 2 tomes de linstitut detudes du massif central, clermont ferrand 1980, pierre charbonnier : une autre france, la seigneurie rurale en basse-auvergne. b ernard boucheix, the painter-baritone, was born on 25 october 1968 in chamalires, at the foot of the auvergne volcanoes. immersed in a pictorial environment from a very young age, the artist has often questioned why he always covered his school notebooks in drawings of imaginary castles. i n order to understand this passion for drawing middle age and renaissance monuments in one so young, we must be go back to the artists origins and his unconscious (1) . t here is no doubt that his hometown of royat plays its part as a source of inspiration. from the base of his valley, the artist could on one side see the puy de chateix with its paradise castle and on the other the fortified priory of saint lger, built on volcanic lava flow. together they cradled a childhood filled with dreams of knights. the auvergne influenced the artist for all time, and engraved on his unconscious the imaginary landscapes and mountains he is so passionate to represent and which he perceives as the puy mountain range, a wave collapsing over the ile du sancy. a s he often says, the auvergne is my heritage. there is no way around the fact that it is an inexhaustible source of inspiration. it is necessary to have wandered through these wind-swept mountains in order to fully understand the at times glacial atmosphere the artist aims to recreate in his work by purposely choosing a lack of colour and even emptiness. concerned with the need for protection, the manor houses are often austere and always composed of thick, buttressed walls. conversely, the renaissance heralded the appearance of wide and open chateaux. modest romanesque churches and gothic cathedrals continue to inspire the former choirboy still imbued with religious architecture. lost in deep valleys, unfortunate villages cower in anticipation of the enemy. rooftops are lengthened by means of banners, flags or points that rise up and increase the places primacy. nobility also demands that the superiority of certain buildings be demonstrated. t he inspiration for these works comes from the history of the french crown as much as from the cultural and religious influence of europes omnipresent christianity. monique kahn (1). boucheix is a name of gallic origin stemming from the people of avernes. originating in the basse-auvergne, its middle age roots are specific to the foot of the puys mountain range. the very first traces of this name date to the 13th century in what is currently the commune of ancizes-comps where in 1219 the manor of boucheix*, which had no fortification, yielded some of its land for the foundation of chartreuse port sainte marie, which today stands in ruins in 1292, the lord of boucheix reserved the right to take wood pro hominibus residentibus in villa de bosches the family line that still carries this name descends from pierre boucheix (1779-1850) of saint pierre roche. centuries have passed but todays descendants still live at the foot of the auvergne peaks. published in 2 volumes by the institut detudes du massif central, clermont ferrand 1980, pierre charbonnier : a different france, the rural estate in basse-auvergne.
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